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社群副作用
Me, and me in social media

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以社群網路內的文化觀察為主題,描述了人們在虛擬社群和現實生活之間表現不一致的現象。以諷刺和黑色幽默的敘事方式,將實際的生活觀察轉化為抽象的圖像符號。這些圖像故事沒有文字,類似默劇般的連環畫,呈現在模擬手機介面的實體書裝幀,使讀者在翻閱實體書時,彷彿也成癮在手機社群中。

沒臉女人和有臉女人兩個角色型態,分別代表現實與社群軟體裡的兩種狀態。現實生活中,人們的臉總是被手機遮擋,社群成癮者總盯著手機螢幕,自拍成癮者總拿著手機擺拍,現實中總是看不到他們的臉,他們是沒臉女人。而相反的,社群軟體內,人們的臉總是畫面中的主角,以自我為中心的每張照片,都在營造人們在社群軟體內的形象,在社群軟體裡,我總是只看得到他們的臉。

作品計畫最終以實體書籍的方式呈現,以手機大小的比例開本,敘事安排左頁是真實生活,對比右頁是社群軟體上的生活,,並把社群軟體的正方形景框符號當作漫畫框,在翻頁間切換沒臉女人和有臉女人,交替真實與社群軟體內的生活,呼應主題。

There would be two women in the story, with face and faceless, referring to the different forms when the character is in reality or social media. The idea came from the screen covering people’s faces in daily life, like they’re faceless. These people are faceless women. On the other hand, people’s faces would always be in center stage in their posts on social media. They always show the best of themselves to others on social media, always with their smiling faces. They are just like women-with-face.


This project is planning to publish, size as a cell phone. The left pages tell the story about faceless women in reality, and the story about woman-with -face in social media on the right pages. When you read this book, it’s like you are bouncing around between the two lives of two women, or the lives between reality and virtuality. 

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